Or maybe I should sit here and blog.
Ah, choices.
The design work is going well - so well, in fact, that I should have at least two nightcap designs in
Whoo! Making and selling! It's awesome! I'm already seeing the results of selling coif patterns - here is a gorgeous interpretation of one of my coifs by my friend Cindy:
The designing is fun - the coifs were my fairly faithful interpretations of original pieces, but the nightcaps and subsequent patterns will be original designs, created with period elements, and faithful to the decorative style of the period.
(I created an awesome frog design from a period embroidery, you guys! Eep, feet! Paws! Eep! It will be on the nightcap that features lots of little creatures.)
(Yes, I'm designing a nightcap with lots of little creatures. Are you excited now?)
I spend a lot of time researching, and not just from the period sources - I keep a constant eye out on what modern embroiderers are doing and publishing, because I don't want to tread on the toes of anyone else (or be accused of copying their designs). It's actually very useful research - one of the things it's telling me right now is that there's a lot of geometric redaction going on in blackwork patterns, but not as much of the free-hand style that is so quintessentially English. I plan to remedy that. *excited*
(Individuals are doing lovely work with various styles of embroidered work, but the patterns available for English Tudor/Stuart work are few and far between, especially in laid out and ready to embroider form.)
Blackwork is actually a very popular modern embroidery technique - many patterns exist, and there are some beautiful things out there. The only thing I find over and over again is that the linen ground used by modern embroiderers is actually too coarse to support the 16th-17th century style - the weave is regular to help show off the incredible variety of fill stitches popular in blackwork, but the nature of the ground material makes it look just a little bit off. Most modern embroidery is too big and well-spaced out. Period embroideries are crammed with design, and in some cases, so finely worked, they look like engravings.
Embroiderers prefer the evenweave linens, in part because of the slub free texture, but also because the threads are far enough apart that the fill stitches show nicely. This is not the case with the period ones - I have done thread counts on a number of pieces, and they are frequently 75-100 threads per inch (or, incredibly, more. I found one that was (sorry, I fail) EDIT:
This lack of fine, tight, evenly woven linen has affected the design aesthetic of modern blackwork needlework designs - even the designs that originally were freehand seem to be re-created with a counted stitch outline, giving them a very even, ever-so-slightly geometric look. With my designs, I'm trying to give a more free-flowing look to the embroidery, independent of the weave of the linen. The plus side of this is that you can use a linen with slubs; unless you go mad with the fill stitches, the thread should travel over the slubs with no difficulty.
My goal as a designer is to bring that aesthetic to my patterns. Modern patterns are too evenly spaced, too geometric, and generally, too open to feel like the embroideries of the Elizabethan/Stuart eras. I've studied the modern pieces, and I've studied the period ones, and I think at this point I'm fairly confident that I can branch out from redacting patterns to creating entirely new ones of my own, and I'm really excited about that. I feel like I did the day I realized I could write my own lyrics for songs, rather than trying to find poems of the period and trying to fit them to music.
I really love being in this creative space; it takes a bit out of me (I have Lidocaine patches on both upper arms today, and they're doing their job quite nicely), but it's worth every drop of energy. I'm really looking forward to producing more patterns for all of you.
Okay, I'd better see if I can find out what's up with the QC. *hums happily*
Comments
By the way, check your email tomorrow for end-of-month totals.
Thank you so much for making this possible for me. Without you, I'd still be dithering about shop stuff - I really am more grateful than you know. *sniffle* :)
MUST HAZ!! Will pay with cheezburgers
You realize you’re going to start something with people running around in their jammies during the day. Everybody will want to wear their nightcaps in the daylight for people to see. :-D
in other news, i heard on a british science podcast about a new anti-pain thing being done at harvard. uses capsasin and something else (i can't remember) to target pain nerves ONLY, so you don't get the addiction issues, or the side-effects, etc. likely it won't be around for a while, but it's something to look forward to...or volunteer to be a guinea pig for a study....
And Things that go bump in the night,
Good Lord, deliver us!
"And besides, I'll instruct you like me to entwine
The myrtle of Venus with Bacchus's vine!"
Gotta love a national anthem filked from a drinking song!!
Looking forward to the blackwork/nightcap designs! Hope it will also help folks realize that blackwork does not HAVE to be counted work, sigh.
if you find a good source please post. I'd be grateful. Course I have this idea for a blackwork sampler for my mother since I love the stuff, think its neat and don't do late period.
You are soooo evil. ;) Even before I read that, I'm torn between a couple of the coif patterns, PLUS all of the other neat stuff on Kass's site, sigh. I really need to win the lottery- that would make things simpler and I could just buy them all! ;)
I think I may have to order that nightcap pattern when it eventually comes out- my brother has frogs on his heraldry. ;)