So, I've been having this discussion with kass_rants in my recent entries' comments sections (previous two entries - we got a bit silly by the end) about petticoat fastenings, as a result of her asking where I got my info. Having to admit that it's speculative, and based on what the Jamestown Settlement costume department told me years ago, has made me admit that I now have to paw through all my books in a vain attempt to actually find something concrete.
Working from this, we theorized that since the petticoat was held up around the rest of the waist by points attached to the bodies/doublet (this is pretty much a known thing; both surviving boned bodies have lacing holes at the waist on the side and in the back, and there are quite a few pictures of women with visible points at the waistband of their doublets), then maybe the opening of the skirt is not actually laced to itself, but laced together with the lacing that goes up the front (or back) of the bodies - so that it does something like this:
(1. Diagram of one side of lacing; inside view.) (2. Diagram lineup of petticoat and bodies; circled in red.)
As far as making the style work, it fits all the criteria; it makes use of the lacing holes around the bodies, and doesn't cause any lumps or awkward visible points. And it uses points - which we, as re-enactors, do not do nearly enough (barely at all - even I've only done two outfits with working points, one for me, and one for Bob).
So, I did a search last night of about a quarter of my books (all I had time for), mainly the Dutch ones, since they show the most middle and lower class people.
They're all wearing aprons, dammit. This is not helpful.
They did often wear petticoat bodies, but they didn't always; the beautiful Jan Steen painting "Couple in a Bed" shows a gorgeous silk taffeta skirt and separate bodies lying on a chair, and the separate (and very narrow, btw) waistband of the petticoat can clearly be seen (but no fastenings, dammit). Yes, this is 1668-1670, I know, but the petticoat and bodies are very similar to the same pettiocat and bodies they were wearing a half century before. There really aren't many 16th century pictures of people en dishabille, with their clothes artfully strewn about, except for the Countess of Southampton - everyone else naked or half naked is usually a symbolic/deity/Biblical figure.
However, our Countess is quite helpful, in her own way - you can clearly see the points on her bodies, and they come around at roughly waist height (taking into account the long waist that was fashionable at that time, and which would have been exaggerated by the painter), until the bodies start to come to a point. In the center front, there are no visible points, so it might be possible that the clearly separate petticoat she is wearing underneath the bodies is fastened by lacing the skirt to the bodies with the front lace.
There are also some engravings by Crispijn de Passe the Elder, which, while not really showing lacing points, do seem to show bodies that are separate from the petticoats, such as in this engraving, where the apron really seems to be tucked under the bodies, as the front point on the left side is sitting over the apron.
It's a theory, anyway. I need to do a lot more research, as I've barely scratched the surface of available images, and still have a bunch of my own books to peruse.
Good times, eh? I definitely want to put petticoat points on my bodies that I'm wearing this weekend (I can do them tonight) - I've already done a wild point sleeve treatment that leaves me with a bunch of white bows at the shoulder, so this shouldn't be too much more outrageous. I'll take pictures anyway.